12/25/2023 0 Comments Margarita city tacto tuesdayBut a delayed development quirk means that an aggressive male hormone becomes predominant: to a gasp of shock from the assembled executives, a dagger-sharp "stinger" suddenly emerges from the penis-aperture mouths, with hilarious results.Ĭanadian star Sarah Polley is a quietly potent presence in the film – more interesting, frankly, than Brody. They were hoping that the besuited business types would be charmed by these bland critters and their "imprinting" dance. The secret of the couple's genetically engineered mutant child, Dren, comes to a horrendous climax in parallel with their vitally important presentation of Fred and Ginger to the company's massed stockholders. She has absolutely zero interest in children, and this is partly due to the way that her own mother treated her on the creepy old farmstead nothing is made absolutely clear, though obviously Elsa's neat, techno-urban childless life is deliberately the farthest thing imaginable from the ugly, painful chaos of her rural upbringing. Clive wants them, and yearns for a bigger, rambling house in which they can start a family Elsa wants a bijou double-bachelor apartment in which they can carry on their sleek, babyless lives. Natali shows how Clive and Elsa have their own issues as regards children. But Dren is, in her exotic way, an intense, passionate individual with her own sexual needs, and becomes infatuated with her pseudo-daddy Clive, who is aware that work and stress have meant he has not had sex for a long time. Its metabolic rate being weirdly souped up, the creature soon becomes a young woman, played by Delphine Chanéac, looking like a very young, intergalactic Michelle Pfeiffer.Įlsa and Clive call this entity Dren, the reverse of "nerd" – a joke I remember first hearing on the old television show Happy Days. Inevitably, their sinister quasifoetus grows out of control, smashes out of its flotation tank, and with its tail, equine hind legs and poignantly vulnerable human face, it becomes the childless couple's dirty little secret, being kept in a grimy stockroom and then in a hay-loft in Elsa's derelict old family farm. Working in a secret lab, and outside the law, they splice human DNA to this creature in an attempt to create breeding stock for genetic material which will cure all diseases from cancer to Parkinson's. Yet even this achievement does not slake Clive and Elsa's thirst for transgressive creation. Each of these creatures looks like an enormous leathery, yet slimy, scrotum, with a mouth that looks like the aperture of a penis. Clive and Elsa are massively proud of the new male and female they have in their tank, whom they are now encouraging to perform a mating ritual-dance known as imprinting and whom they whimsically name Fred and Ginger. Clive and Elsa have interspliced the DNA of a number of animals, creating a brand new trademarked gene-creature, whose cells can be replicated to create a hugely cost-effective new strain of livestock feed. They are Clive and Elsa, played by Adrien Brody and Sarah Polley, who by thinking outside the box, and by not being overly squeamish about ethical issues, have boosted the company's performance massively, and become celebrities with an interview in Wired magazine. Natali imagines a highly profitable biotech company, in the not-too-distant future, which uneasily tolerates among its workforce a married couple to whose creative scientific genius it has given a long leash. It's also an entertaining and cheerfully subversive satire on corporate ambition, and on the consequences of suppressing one's sex drive in favour of one's work drive. As the late Kenny Everett would have said, "It's all in the best possible taste." Vincenzo Natali, director of the cult 1997 mystery Cube, has confected a bizarre black-comic horror, a cross-breed mutant Frankenfilm with bits of Ridley Scott's Alien, David Cronenberg's The Fly and David Lynch's Eraserhead.
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